65. Clock with the elephant in bronze with brown patina and chased and gilded bronze, the movement included in a
signed GALLOIS in Paris. White enamelled dial with Roman and Arabic numerals also
signed GALLOIS in Paris. Movement with wire.
Base with openwork decoration of a rocky mound. It is topped by a cherub holding a
tablet.
Signed on the base St GERMAIN.
Louis XV period.
H : 49 cm - W : 36 cm - D : 15 cm.
(A damaged needle, small chips in the enamel of the dial).
Received master founder in earth and sand on July 15
July 15, 1748, Jean-Joseph de Saint-Germain (1719-
1791) enjoyed the privilege of the free worker,
which allowed him to be both a bronze worker
as well as a cabinetmaker. Active from 1742 to 1776, he began to
to market this model shortly before 1747.
He supplied cases of clocks to the best clockmakers of his time
the best clockmakers of his time: Etienne
Lenoir, Julien Le Roy and Jean-Philippe Gosselin.
Saint-Germain was also famous in his time
for his cabinet of curiosities and his passion for
and his passion for botany, themes that can be found in his
production.
Bronziers such as Caffieri or Saint-Germain
created numerous andirons or clocks on the theme of
theme of exoticism interpreted by animals
such as the elephant, the rhinoceros or the parakeet.
The clock with the elephant of Saint-Germain is
part of the most symbolic pieces of this taste.
It presented itself thus in its announcement
Saint-Germain, master founder, chiseller and
modeller makes and sells all kinds
of boxes for gilding in ground gold
or in gold color, like
bronze, elephant boete,
lion, bull and others,
makes designs, and
wax models, all at a fair price.
at fair price".
Among the identical models signed Saint-
Germain, let us quote in particular:
- A clock with the dial signed Moisy in Paris
illustrated in Vergoldete Bronzen, H. Ottomeyer
und P. Pröschel, vol. I, Munich, 1986, p. 123, fig.
2.8.3.
- A clock with a music box, which belonged to the
belonging to the Bodenstein collection, Berlin, 6-7
April 1909, lot no. 79.
- A clock with the dial signed Julien Le Roy,
Christie's London sale, April 16, 2014, lot 6.
- A clock with the dial signed Julien Le Roy,
Sotheby's Paris, November 5, 2014, lot 195.
Among those of the same model in public collections
public collections, let us quote :
- A clock with the dial signed Viger in Paris,
offered by the Princes of Ligne to the Treasury of the
cathedral of Tournai.
- A clock acquired by the Gardemeuble
in 1865 for the Castle of
Fontainebleau.
Finally, a clock, most certainly of the same model, was
identical model, was valued at 108 livres in the inventory
after the death of the Duchess of Brancas in 1784: "
A clock in cartel of the name of Jean-Baptiste
Baillon mounted on an elephant surmounted by a
small love".
François Gallois was received as a master clockmaker in
1746; he practiced on rue Sainte-Croix from 1754 until his
until his death in 1775.
Bibliography :
- H. Ottomeyer and P. Pröschel, Vergoldete
Bronzen, vol. I, Munich, 1986, p. 123, fig. 2.8.3.
- Tardy, La pendule française, Ier Partie : De
l'Horloge gothique à la Pendule Louis XV, 1967,
p.173.
- Tardy, Dictionary of French Clockmakers, Paris,
1971.
- P. Verlet, Les bronzes dorés français du XVIIIe
century, Editions Picard, Paris, 1999, p.192, fig. 219.
Result
€43,000
Buyer's premium
0%
65. Clock with the elephant in bronze with brown patina and chased and gilded bronze, the movement included in a
signed GALLOIS in Paris. White enamelled dial with Roman and Arabic numerals also
signed GALLOIS in Paris. Movement with wire.
Base with openwork decoration of a rocky mound. It is topped by a cherub holding a
tablet.
Signed on the base St GERMAIN.
Louis XV period.
H : 49 cm - W : 36 cm - D : 15 cm.
(A damaged needle, small chips in the enamel of the dial).
Received master founder in earth and sand on July 15
July 15, 1748, Jean-Joseph de Saint-Germain (1719-
1791) enjoyed the privilege of the free worker,
which allowed him to be both a bronze worker
as well as a cabinetmaker. Active from 1742 to 1776, he began to
to market this model shortly before 1747.
He supplied cases of clocks to the best clockmakers of his time
the best clockmakers of his time: Etienne
Lenoir, Julien Le Roy and Jean-Philippe Gosselin.
Saint-Germain was also famous in his time
for his cabinet of curiosities and his passion for
and his passion for botany, themes that can be found in his
production.
Bronziers such as Caffieri or Saint-Germain
created numerous andirons or clocks on the theme of
theme of exoticism interpreted by animals
such as the elephant, the rhinoceros or the parakeet.
The clock with the elephant of Saint-Germain is
part of the most symbolic pieces of this taste.
It presented itself thus in its announcement
Saint-Germain, master founder, chiseller and
modeller makes and sells all kinds
of boxes for gilding in ground gold
or in gold color, like
bronze, elephant boete,
lion, bull and others,
makes designs, and
wax models, all at a fair price.
at fair price".
Among the identical models signed Saint-
Germain, let us quote in particular:
- A clock with the dial signed Moisy in Paris
illustrated in Vergoldete Bronzen, H. Ottomeyer
und P. Pröschel, vol. I, Munich, 1986, p. 123, fig.
2.8.3.
- A clock with a music box, which belonged to the
belonging to the Bodenstein collection, Berlin, 6-7
April 1909, lot no. 79.
- A clock with the dial signed Julien Le Roy,
Christie's London sale, April 16, 2014, lot 6.
- A clock with the dial signed Julien Le Roy,
Sotheby's Paris, November 5, 2014, lot 195.
Among those of the same model in public collections
public collections, let us quote :
- A clock with the dial signed Viger in Paris,
offered by the Princes of Ligne to the Treasury of the
cathedral of Tournai.
- A clock acquired by the Gardemeuble
in 1865 for the Castle of
Fontainebleau.
Finally, a clock, most certainly of the same model, was
identical model, was valued at 108 livres in the inventory
after the death of the Duchess of Brancas in 1784: "
A clock in cartel of the name of Jean-Baptiste
Baillon mounted on an elephant surmounted by a
small love".
François Gallois was received as a master clockmaker in
1746; he practiced on rue Sainte-Croix from 1754 until his
until his death in 1775.
Bibliography :
- H. Ottomeyer and P. Pröschel, Vergoldete
Bronzen, vol. I, Munich, 1986, p. 123, fig. 2.8.3.
- Tardy, La pendule française, Ier Partie : De
l'Horloge gothique à la Pendule Louis XV, 1967,
p.173.
- Tardy, Dictionary of French Clockmakers, Paris,
1971.
- P. Verlet, Les bronzes dorés français du XVIIIe
century, Editions Picard, Paris, 1999, p.192, fig. 219.